Monday
Nov072011

New Prints in the Shop

Well this is exciting: new prints in the shop! Halloween weekend was spent in an exhausting marathon of type-setting, ink-mixing, block-carving, print-making, paper-trimming and podcast-listening. The impetus for studio time was a dwindling supply of CTA Announcement Series prints, but we here at Monkey-Rope Press have a hard time doing things by halves. Why only print 6 two-color prints when I could print 14? Check out our new stock:

Twas Brillig, a typographic tip of the hat to Lewis Carroll;

 

Cheery and fun Good Morning, Sunshine and Good Morning, Glory;

 

Reprints of ALL the CTA Announcement Series, including brand-new black-and-silver "Inbound Train" (previously only available in blue and brown), and prints of the linocut train design in black, silver and blue;

 

Three brand-new bibliophilic prints;

 

And finally, some holiday cheer: Jolliest of Jollies and Merriest of Merries!

 

I also took the opportunity while taking pictures of the new prints to re-shoot old favorites. Be sure to stop by the shop to see old prints in a new light!

Thursday
Oct202011

Embodied Research

With the first pacing mock-up of Chapter 2 of In the Sounds and Seas almost completed and a long quiet fall and winter ahead of me to draw, I thought now might be a good time to write about process and progress.

I faced a different set of challenges in composing the pages for Chapter 2 than I did in Chapter 1. For starters, I had already illustrated some of the more challenging sequences in Ch1 in previous projects, so the visual language was familiar and many of the "how the hell do I draw this?" problems had already been worked through. Ch2 is brand new in that regard. I benefit from knowing how I best work on these drawing projects (in quiet, with hours set aside and a cup of tea), and from knowing the overall aesthetic of the book, but the rest is just new.

Not only that, but the action in the book is foreign to me. The primary event in Ch2-3 is the building of a large sail boat, and the bulk of the rest of the story after that occurs on the ship. I knew that fudging the details in this chapter would be a huge disaster if I realized down the line that, say, a ship of X model couldn't hold the 3 crew I need it to house. Even worse was the realization that if I illustrated the construction of a boat incorrectly, anyone who had actually built (or, for that matter, sailed) a boat would laugh at the sequence with disdain. The story would hold up, but distractingly incorrect details could ruin the experience for some readers.

The first thing I did was read...a LOT. I've spent the summer reading sailing narratives in historical nonfiction and online, pouring over "How to Sail" guides at breakfast, practicing knots, and delighting in Sailing Alone Around the World, Joshua Slocum's autobiography.

Late summer I took a sailing lesson and learned a lot, having only before ever been on large tour-boat cruises on Lake Michigan. I learned how hard it was to pull up the main sail; I learned how severely a boat can (and should) keel; I learned that I get really, really sea sick.

Taking the lesson that doing something once is just as if not more helpful to me than reading how-to guides, I kept my eyes open and searched actively for any news about folks building or restoring sail boats or ships in the Chicago area, that I might be able to help out and learn some tricks. No such luck. Instead, I'm building a model ship!

This will be a model of Mr Slocum's gaff-rigged sloop, The Spray. I couldn't be more excited about it! In the end, I will have hands-on experience with at least some of the problems one would face when building a ship (and I will have my other resources to fill in the gaps), and I'll have a pretty great model from which to draw.

For now, back to steaming the wood and planking the ship!

Thursday
Oct202011

Ink of a Different Kind

As a printmaker and book artist, most of the ink that I write about here is rubber-based letterpress ink or the lovely inky smell of books freshly returned from the press. Not today!

This is my new tattoo, courtesy of the very talented Jason Longtin at Deluxe Tattoo in Chicago. I introduce Pallas Athena, the patron of heroic endeavors, the symbol of wisdom in battle, of knowing when to fight the right fight and how to fight it well. Not blind peace, not blind warfare, but justice. She is the symbol of inspiration (she did, after all, emerge from Zeus's head fully formed) and mechanical arts and crafts; as a printmaker and artist, this delights me. She is a feminine symbol of physical strength; as an amateur power lifter and very literal-minded feminist, this delights me.  She is closely associated with the owl; I tip my hat to Chicago with the owl image. This is the owl from the State Street facade of the Harold Washington Library in the loop. Chicago, where I came to embrace my path as an artist. Chicago, where I became more confident in my skin, where I learned (again and again) when to fight the right fight and how to fight it well.

This is Athena, the "martial maid" who prompted Zeus in an argument to say "Great Polypheme, of more than mortal might? Him young Thousa bore (the bright increase of Phorcys, dreaded in the sounds and seas)..."

Also, loaded symbolic meaning aside, I think it is beautiful.

It is not quite finished--shading will take another sitting--but I'm too excited to wait until then to share.

I debated posting about the new ink here as it does not seem directly related to my practice, but it is: it is an arm guard about my artistic practice. Always facing forward: sing, goddess, the rage.

Saturday
Oct082011

Friends of Transit Print Invitational

Marnie Galloway of Monkey-Rope Press

What a show! Last night was the opening reception of Transit Residency's Print Invitational at the I Am Logan Square gallery as part of Chicago Artists Month.  I was proud to contribute three prints from the CTA Announcements series and the first of the bicycle subculture pugilists prints. This sneak-peak picture was shared by Transit before the opening...

...but the gallery was so packed last night, I couldn't get a photograph of the work myself!

The crowd spilled out onto the sidewalk in front of the gallery, amiable and full of delicious treats from Paper Moon Bakery and locally brewed craft beer by Revolution Brewing.

Congratulations again to Transit Residency for organizing such a wonderful show!

Tuesday
Oct042011

New Prints in the Shop

Four new prints in the shop! We've got a deep sea, shiny metalic "bioluminescent" jellyfish; its warm-water cousin; a cicada-killer wasp chasing a cicada; and, our personal favorite, a tea-time Jolly Roger flag. 

**3 cheers to Evanston Print and Paper for studio time, coffee delivery and light-hearted camaraderie.