Pavilions and Summer Sunshine: Spring Wedding Invitation #3

I am proud to share the third and final of this season's hand-carved, hand-printed wedding invitation prints! The couple gave me delightfully free reign to design their wedding invitation, with no limitations or guidelines beyond a few modest typographic preferences. They are very thoughtful people, and shared that they are moving through the wedding planning process striving to strike a balance between political awareness and social responsibility as they get married at a time when not all citizens have that freedom, and wanting to have a ceremony and reception that would be joyful and celebratory of their love and commitment. 

With this highly personal spirit in mind, I incorporated decorative elements from the beautiful late-19th century park pavilion where they are getting married for the opening panels of the trifold design, which opens up to a bright tree behind the ceremony and reception details. The warm mustardy yellow, green leaves and blue text were summery fun colors to work with, and I was tickled to have the opportunity to challenge myself with the folded design and small serif type to carve. I couldn't be happier with the end result, and I wish Eleanor and Hayden all the happiness in the world!

This 8.5" x 11" tri-fold invitation was printed at the Starshaped Press studio on a Vandercook proof press from hand-carved linoleum blocks on French cover stock paper. Designed, carved and printed by Marnie Galloway. April 2012.

Style & Advertisements: March Wedding Invitation #2

We're still reveling in wedding season here at Monkey-Rope Press!

It was a real pleasure to collaborate with the couple on this month's second invitation project. Both partners had a clearly articulated aesthetic: inspired by Mad Men, they wanted an invitation that was reminiscent of print ads in the 1950s, but with details that reflected their modern fashion (tattoos, etc). While Monkey-Rope Press's linoleum-cut print method cannot duplicate the distinctive watercolor illustrations of so many 1950s ads, I was able to use the composition and typographic design of some mid-century advertisements as a launching off point for my own design.

Printed on a concrete-gray cover stock paper, these 5-color, 2-sided 8.5" x 11" invitations were printed at Evanston Print and Paper Shop on a Vandercook proof press using hand-carved linoleum blocks, including hand-carved text. Three cheers and great happiness to Carl & Ashleigh!